Monday, March 28, 2016

Fell asleep on the bus, woke up dead

"Yo Jimbo, I found one of your little spook things on the floor in the men's," Virgil thumbed a quarter-sized, nondescript silver disk through the air. Jimmy snatched it with one hand before it thumped him on his forehead. Then he immediately slammed it down on the work desk.

"Aw man. The bathroom floor? Did you wash it? Shoot...," Jimmy wiped his hand on the thigh of his khaki Dockers, then plucked a wet-wipe from a dispenser and had a vigorous rub.

"No I didn't wash it. What is it? Is there a camera in there? Do you have any in the women's restroom?" Virgil entered the Information Technology room and stood next to Jimmy. The work desk was an jumbled mess - computer parts, cables, disks, used coffee cups and wadded up food wrappers everywhere. A picture of Shia LaBeouf in a heart shaped frame sat off to the side. The silver disk rested on an almost clean area. Jimmy flipped his used wet-wipe away and tapped the disk.

"I have no idea what this is," he said. "It isn't mine."

"Don't bullshit me," Virgil said. "These things have been popping up all over the office. I know y'all are spying on us. Personally I could give a shit; but in the bathrooms? Creepy, Jimbo. Tres Creepy."

"I'm telling you, this isn't mine."

"It isn't yours?"

"I don't even know what this shit is," Jimmy held the disk between thumb and finger and turned it around. Smooth silver, maybe twice as thick as a quarter, with no visible marking or stenciling on the surface whatsoever. He held it to his ear and shook it back and forth.

"Okay, come on then," Virgil lead the way. They left the IT room and went towards the elevators. Virgil was tall and fat and Jimmy, even being a small man, had to walk slightly behind him as the hallway was rather narrow.

"Where are we going?" Jimmy asked when Virgil entered the lobby and pushed the button to call the elevator.

"Nowhere."

"Then what are we doing here?"

"I just want you to see something."

The elevator arrived with a ding and opened to an empty cab. Virgil placed a hand to stop the doors from closing then leaned in and pointed to another one of the disks, exactly the same, that had been affixed to the control panel. It was in the bottom corner, unobtrusive, where a person wouldn't normally look to notice. Jimmy scrapped his finger against its edge. It was stuck firm.

"Bizarre," Jimmy said. "Has this always been here?"

"No," Virgil answered. "Last week it just kind of showed up."

"How can you be sure?"

"Follow me, faithful companion." They left the lobby and went to the break-room. Virgil directed Jimmy's attention to the side of the refrigerator, top back, where there was another nondescript, unobtrusive disk.

"Whoa," Jimmy said.

"There's more."

The complete tour took them to the copy room, conference rooms, perimeter halls and cubicle farm. In each area, Virgil pointed out another disk attached to a vent, cabinet, or metal frame where it would be hard to notice.

Back in the IT room, Virgil explained, "I don't mind being spied on. They want to hear me pass gas or watch me pick my nose while I'm putting in my eight hours, fuck it, let them. But when I found that one on the floor of the men's...."

Jimmy had cleared off a section of the desk to give the mystery disk a respectable amount of space. It sat there, doing nothing.

"I don't see how it could be a camera or even a microphone," Jimmy considered. "Too small and there's nothing... to it." He tapped the surface with a screwdriver.

"Are you going to open it?" Virgil asked.

"How? There's no ridge or seam that I can see."

"Maybe it's hidden?"

"I still wouldn't know how, or if, it can be opened."

"Smash it with a hammer," Virgil suggested.

Jimmy thought for a moment, then said, "No, it probably belongs to the building. Maybe it's some sort of motion sensor to track how often areas are used?"

"You asking me?" Virgil replied. "I still think it's some sort of super spy pervvy camera. Well, whatever. I've nothing to be ashamed of; somebody wants to watch me hold it steady while I fill up a urinal, that's their problem. You going to be at McCarthy's tonight?"

"No. Can't tonight."

"Another thing with your wife again?"

"Yeah...."

"Bring her!"

"Yeah, no...."

"Come on man, you can't hide her forever." Virgil went to Jimmy's personal desk and picked up a framed photo: Jimmy and his new bride in their formal Indian wedding attire. Jimmy looking stunned; the bride looking scared. Pretty, but scared. "Eventually she's going to learn what a big mistake she made. I might as well be the one to tell her."

"After I fill her with babies," Jimmy replied.

Virgil nodded. "Then what can she do about it? Makes sense."

"Five thousand years of culture, we've learned a thing or two."

"Namaste." Virgil looked perfectly ridiculous as he bowed out of the room, hand's clasped in front of his huge belly, bent at the waist.

With Virgil gone, Jimmy paced the room; scanning every vent, cabinet, box, and desk for one of the disks. He ran his hands over the backs of the computer racks, feeling for anything out of the ordinary but found nothing. He rubbed his chin, shuffled around nervously, then dropped to his knees and looked underneath the office desks. Still nothing.

He stood over the disk. Tapped it with the screwdriver. Whistled low. Then, in a flurry of decisive action, grabbed his keys and unlocked the equipment cabinet. He went in for the toolbox and noticed it: another silver disk; affixed to the roof of the cabinet. 

Jimmy reached up and touched it; cool, metal. Nothing out of the ordinary. He tried prying it loose with his fingers but it was good and stuck.

"...fuck this...," Jimmy muttered and grabbed the toolbox. He set it on the worktable, opened it, and took out a hammer. 

***

"Oh fuck this," Jimmy reiterated ten minutes later. He'd been trying to hammer the disk open with no success, not even a scratch. He shuffled through the toolbox until he found an awl; placed the tip in the center of the disk, held it firm, then brought the hammer down hard. 

The awl gave a fraction of an inch. The disk was penetrated. 

Jimmy set the tools aside and studied his handiwork. The disk now had a pinprick sized hole in its center. He leaned down to have a closer look and a thin vein of grey smoke rose from the disk. It smelled like electricity; like lightning. 

Jimmy fanned it away.

Tiny black bubbles emerged and hissed around the hole. They popped and spread out in a slimy ooze. Jimmy almost touched the disk with his finger, then thought better about that, and retrieved a screwdriver. With it, he poked the disk. It collapsed on itself; becoming two separate pieces. Still using the screwdriver; Jimmy separated the pieces. 

There was nothing between them; only a thin glaze of black slime and the smell of ozone. 

"Fuck," Jimmy concluded. And then he swept it all into the trashcan with a wet-wipe.

***

Jimmy sat in his car for a few moments after parking it in the garage. He'd told Virgil he would be busy with his wife tonight, and that was technically true, but in reality they were just going to sit around and watch TV before going to bed. Awkwardly going to bed.

They'd been married four weeks now and had yet to consummate the union. Yeah, I'd call that fucking awkward, wouldn't you?

It had been a quasi-arraigned marriage. Their names hadn't been written in ink - not even Indian ink - in a book when they'd been born, and his family hadn't received a cow for dowry from hers; but pressure had been applied, his advancing age had been relentlessly commented on, and pictures emailed back and forth so here he was - married to a stranger.

She seemed nice. Quite. Shy. And there was the problem - Jimmy himself was pretty shy, at least around women. He could crack up and make merry all day long with his homies, but with attractive members of the opposite sex? His mouth filled with grass and his hands became balloons. He was not, strictly speaking, a virgin, but his limited, generally humiliating sexual experiences hadn't exactly emboldened him with confidence.

So he would go inside the house, make small talk, agree on whatever program she was interested in, eat while watching TV, then, eventually, settle into the king-sized bed; her on one side, him on the other.

Maybe tonight, Jimmy caught his eyes in the rear-view mirror. Soft and brown. He narrowed them, trying to infuse steel into the irises. Tonight I'll ask her if she wants a back rub....

Jimmy quit the car and entered his house through the mudroom. It opened to the kitchen where he called out, "Hello? Sikta? I'm home."

From the opposite side of island counter-top, Jimmy noticed a puddle of reddish brown, viscous liquid seeping across the floor. He moved into the room and, advancing, saw a pair of small feet soaking in the pool.

"Sikta?" he said?

Behind him, the door slammed.

Jimmy jumped, turned, briefly saw the shape of a man lunging at him, and then everything went dark.

***

Sitka was dead. Throat cut ear to ear. Bled out like a slaughtered pig on the kitchen floor. The smell was nauseating.

Jimmy was strapped to the dining room table with bungee cords, unable to move. A dish rag crammed in his mouth to prevent any yelling. Still, he squirmed and whined and thrashed as best he could until fatigue overtook him. Then he lay there and cried.

After a few hours, a man entered the room and pulled the rag from Jimmy's mouth. Jimmy sputtered and the man said, "Quite. You scream you die."

The man sat at one of the dining room chairs. He was average looking, dirty brown hair, Caucasian, dressed in a polo shirt and denim jeans. The only striking thing about him was his eyes. They were icy, arctic blue. So blue they were almost inhuman. They locked on Jimmy and he suddenly felt as cold as if he'd been dropped into the bottom of the ocean.

"One question: why Shia LaBeouf?" the man asked.

Jimmy's mind went blank. He shook his head and sputtered.

"On your desk? At the office? Shia LaBeouf in the heart frame? What? Are you gay for Shia LaBeouf?"

"Nuh... no," Jimmy answered. "No, that's a joke."

The man sniffed and looked at Sitka's body. He shrugged.

"I don't get it," he said. "What's so funny about Shia LaBeouf in a heart frame? He's a terrible actor, you know."

"Who are you?" Jimmy asked. "What are you... doing?"

"I'm going to kill you. Soon. As soon as get this LaBeouf thing straight in my head. Why is it a joke?"

"Kill me? Did you kill...?"

"Her? Yes. 'though if you're gay for Shia, she's better off dead anyway. He's not an attractive man by anybody's standards."

"No... Why...?"

"You messed up today. The hammer? With the awl? That was a stupid mistake. So you have to die, if for no other reason than as an object lesson for anybody thinking of destroying our property."

The man tapped his chin and looked at the ceiling. 

"Well," he continued, "we wouldn't be entirely incorrect to label it murder instead of destruction of property, would we? Anyway, you have to die. But first: what's with Shia LaBeouf?"

Jimmy thrashed and opened his mouth for a good scream but the man viciously slammed an elbow into his gut, knocking all Jimmy's air out in a great, weeping whoosh.

"This can go easy; it can go hard. Tell me why it's a joke? The LaBeouf photo?"

It took Jimmy a few moments to catch his breath. When he did, he said, "I was in Temple of Doom. As a kid. I was in that movie."

"Indiana Jones and the Temple of Doom?" The man asked.

"Yes. At the end. When he brought all those Indian kids back to the village? I was one of those kids."

"Really?"

"Yes. I don't even really remember it now, but you can see me if you pause the right frame. My parents knew somebody who worked on the movie and they got me in that scene. I don't know why. I don't remember how. But...."

"Ah," the man stood up and paced the room. "I think I see now.... Growing up people must have teased you for being in that movie - because it was so bad."

"Yes," Jimmy agreed. Tears freely flowing from his eyes.

"Well," the man considered, "in all fairness, it isn't too bad a movie, but for the longest time it was the worse Indian Jones movie. Until that Crystal Skull abomination. Truly a bad movie by anybody's standards."

"Yes, yes...."

"So the picture of Shia LaBeouf in a heart frame is your appreciation for him... 'taking the heat' off you, as they say."

Jimmy nodded and sobbed.

"Hmm," the man considered. Then his lips curled up in a smile. "Yes. I see the humor."

The man took a razor from his pocket and used it to slice open Jimmy's neck.

Thursday, March 10, 2016

That last one? Woof. Now THIS....

Virgil's left hand held the handle of a beer mug. His right hand rested on the bar, fingers curled. Not quite a fist, but no part of the palm touched wood. He looked at the right hand until his eyes lost focus. There. In the neon lights and with fuzzy vision, he saw it again. A glow. A warm, orange glow radiating all around his hand like an aura. It signified calm strength. Mystical power. A divine gift.

Virgil smiled. He used his ordinary left hand to drink some beer.

SIX MONTHS AGO

It took a long time for the attorney to explain why they didn't just call it 'self-defense'. With the footage from two different cell-phone videos, there could be no doubt; Virgil had hit that man purely in the interest of self-preservation. Still, the attorney said it couldn't have been self-defense because something about mismanagement, neglect and, finally, insurance money.

Ultimately what that meant was that Virgil had to show up in court, not as a defendant, but as a plaintiff against Brazoria County. He actually sat on the same side of the courtroom as the family of the man he'd killed. Talk about awkward.

And, just as the attorney predicted, the case never went before a jury. The judge watched the videos - jerky, noisy chaos showing an obviously drunk man going after Virgil; throwing wild hay-makers and wobbly kicks. Virgil backing away, hand's raised to ward off the attack. Then inspiration and opportunity struck the drunken man and he suddenly had a bottle in his hand. He broke that bottle against the gravel in the parking-lot area of the county fairgrounds and crept upon Virgil, crouched low, jagged glass swaying hither and yon.

And then Virgil punched that motherfucker. One good, solid whack. Fist meets face; head snaps back, drunk falls down.

Falls down dead, as it happened. That's why all the talk of mismanagement, neglect and money.

Virgil hadn't understood most of what was written and said about the lawsuit. The drunk guy - his name had been Steve Woolworth - had a family and they got a lawyer and a wide net of litigation was tossed in the sea. Virgil, having no meaningful assets beyond a paltry savings and a slice-above-minimum-wage job, whooshed right through the mesh. However, since it was his fist that actually killed the man, he had been forced to lawyer up and play the game.

A game that, oddly, put him on the side of the dead man's wife; Shelly Woolworth. Twenty years old but looked a hard-fought forty. Virgil sat across from her in a lawyer's office while she described her life with Steve. To no-one's surprise, he had been an abusive drunk. Virgil noted how Shelly's dark, dark eyes never changed expression when she talked about his violent temper; how her mouth never opened more than a fraction of an inch when she explained how he would strike her with his Teamster's brass belt buckle. The skin of her face looked like old candle-wax starting to melt from age; not flame. Her hair so black it looked like wet crow feathers. She related how Steve had forced her to have abortions, which led to a passionless recollection of many disgusting and painful humiliations her husband heaped upon her in the bedroom.

She never actually spoke the words, "I'm glad he's dead", but the one time she did meet Virgil's eyes? Yeah. He saw it there.

Still, the game had to be played. Right from the start, Virgil had told his lawyer he didn't want anything but to be free from the entire mess. The police weren't going to arrest him; the Woolworth family wasn't going to sue him - so why did he still have to sign all these papers and meet with all these people?

Money, of course. Of course, money.

Virgil tried his best to get out of it anyway; offering to give whatever settlement he would make from the lawsuit to the bereaved widow; but his attorney assured him that was a non-starter. First, she was going to do just fine for herself; second, it would make him look guilty; and finally, hey man, this ain't a pro bono type thing.

So he suited up, sat for endless hours in an echoing courtroom while smart people talked around him, and walked away from the game ostensibly a winner: a free man with an extra $100,000 to allay his pain and suffering.

The Woolworth widow made out with ten times as much. Good for her, Virgil thought. She earned it.

Personally, Virgil hadn't much cared about his own monetary windfall. He really would have given it to Shelly but for the fact that his lawyer absolutely forbade him to do so.

For Virgil, it was the Mystery, not the money, that stayed with him after the last bang of the Judge's gavel.

See, the closest the defendant's ever got to mitigating their culpability (it happened at a Brazoria county Rodeo that obviously hadn't hired sufficient security and the glass bottle? That should never have found its way into the event) was the testimony from their medical experts stating that the cause of Steve Woolworth's death was inconclusive.

Just look at the footage: wild-eyed from panic, Virgil lashing out with an off-balance swing, barely connecting knuckles to the upper ridge of a cheekbone. Steve swaying slightly for a moment before crumpling to the ground, first to his knees, then flopping over forward.

A postmortem examination of the body couldn't even determine where exactly Virgil had landed the blow. There wasn't any bruising or trauma that couldn't otherwise be attributed to his face-plant into the gravel; and all that amounted to was a strawberry field of superficial scrapes.

No, the punch hadn't killed Steve Woolworth. His death was a non-culpable medical event. Like a heart attack or a stroke.

Except it hadn't been a heart attack or stroke. It hadn't been anything any of the medical professionals on either side could identify. Autopsy revealed a healthy heart, in-tact brain, no problems with any organs save for an moderately swollen liver and an infected ingrown toenail. And, of course, a slightly scraped up face.

Plaintiffs' argument had been, therefor, persuasive: Steve Woolworth was alive; then he got hit, then he was dead. Do the math, Judge.

The Mystery, then: how is it Virgil Templeton can kill a man with one feeble punch?

NOW

His right hand was a fist now; not tightly clenched, but solid. Thumb over knuckles. And the orange glow licked around his fingers like flames. Virgil sat on the bar-stool, glassy-eyed, lost in thoughts of a dead man, justice, and his right hand.

"Next one's on me." A voice interrupted. "Okay?"

Virgil snapped alert and blinked. The voice belonged to a man, a stranger, who motioned to the stool at Virgil's left. "Can I sit?"

"Yeah, okay," Virgil said warily. The stranger looked harmless enough; older, balding. Collared shirt with Dockers. Eyeglasses and khaki loafers. Still, you can't trust anybody these days....

The stranger motioned for the bartender and ordered two beers. After the drinks came, he took a delicate sip then said, "This isn't... anything weird. I just wanted to buy you a drink because I remember you from the news. What happened at the rodeo."

Virgil nodded his head. So far he had not been approached by anybody who may have recognized him from the television news; but many people around Pearland knew the story. He had become somewhat of a small town hero. "Thanks," Virgil raised his glass. The stranger followed his lead and they clinked mugs.

After a few moments of companionable silence and a few more sips, the stranger said, "The reason I remember you is because the same thing - a similar thing - happened to me a long time ago. So I was, maybe, overly interested in your case."

"You?" Virgil asked. "You killed a man?"

The stranger nodded. "Yes. Under very similar circumstances. Of course we didn't have all these cell phone video cameras back then, so it wasn't as well documented as yours. But the same. Very much the same."

Virgil sensed there was a deeper meaning to what the stranger said, but couldn't quite figure out what. So he drank and waited.

While returning his mug to the bar, he saw the aura around his right hand and, from the corner of his eye, saw the stranger's right hand light up with a more vibrant, red glow. When Virgil whipped his head to look at it, the light was gone. It was just a normal hand.

But the stranger was studying his face now. Their eyes met. The stranger smiled.

"In my case it was a car thief," the stranger said, "a real lowlife. Drug dealer. All around bad guy. Anyway, I was coming out of a movie theater with my wife when I saw him trying to jimmy my car open. You know I wanted to run; go back inside and call a cop, but it was the back exit so the door wouldn't open and, of course, my wife yelled out...."

The stranger shook his head ruefully. Took another dainty sip and continued;

"So the guy comes at us. There's a knife in his hand. Now I don't have any video of the event, and it happened so fast neither my wife nor I could agree on exactly how it went down, but when it was over the bad guy lay dead at my feet and all I had was a slight scratch on my knuckles."

The stranger made a fist with his right hand. There. Virgil saw it clearly now. The fist looked like the center of a match; a nice brick red flame dancing around those fingers.

"The right fist of God," The stranger whispered reverently.

Virgil lifted his own fist. His glow was different; orange, but just as vibrant. In the mirror over the bar? Nothing. Just two men holding up and gazing at their fists like dazed stoners. But when Virgil looked directly at their hands? The light almost hurt his eyes.

"So the question is," the stranger asked. "Is there enough room in this bar for the two of us?"